Brett Eldredge Hits New Heights

Brett Eldredge Hits New Heights

By Lorie Hollabaugh

© 2014 CMA Close Up®
News Service / Country Music Association®, Inc.

Brett Eldredge opened the biggest year of his career
in 2013, with a chart-topping smash, “Don’t Ya” (written by Eldredge, Chris
DeStefano and Ashley Gorley). He also toured with Dierks Bentley, Miranda Lambert
and Taylor Swift, and has made numerous media appearances, including atop a float
in the Macy’s Thanksgiving Day Parade.

But success wasn’t quick in coming to the hard-working
artist. His first single, “Raymond” (Eldredge and Truman Bradley Crisler),
a heartfelt song about an elderly woman with Alzheimer’s, was released to critical
acclaim but mediocre chart achievement. When a second single failed to reach the
Top 40, he decided to pause, regroup and ultimately work even harder to make his mark.

“I went back into the
studio, writing sometimes two times a day,” he recalled. “I thought, ‘I’m
gonna get this record right. I’m gonna get my first album out. I want to do
this for the rest of my life. I don’t want it to stop now. I don’t want this
little miss to be the end of my career. I’m gonna start here!’ That fired me up.”

That also gave him the
idea of titling his first album Bring You Back. “That song (the title
cut, by Ross Copperman and Heather Morgan) signified what was going on in my career.
I had to remind myself what it was like when I first got to Nashville. I didn’t
care who told me no and what it took to get to the top and get a publishing deal.
I learned to write songs and I started knocking on doors. And when you start going
out to radio, there’ll be times that not everybody totally believes in you right
away, because it’s new to them. You have to take some of that rejection, turn
yourself into an animal and say, ‘OK, I gotta make them believe in this.’
So I brought myself back to that fire I had when I first started.”

“Opportunities for Brett
have come about because of his undeniable talent, work ethic and infectious personality,”
said Brad Bissell, Eldredge’s agent at CAA. “He’s fortunate to have relationships
with artists who are willing to give him a hand. Trace Adkins and Miranda Lambert
were the first to offer him opening slots. Keith (Urban) has been a longtime supporter.
When ‘Raymond’ came out, Keith mentioned in an interview how the song affected
him. And when ‘Don’t Ya’ went to the top of the charts, the timing was finally
right for Keith to offer Brett a place on his tour. Brett has always been grateful
for Keith’s early support. And now Brett is very happy to be working with Keith this summer.”

Eldredge continues to push
his career to new heights — which may prove to be hazardous, given that his
label and management bet him he had to skydive if “Don’t Ya” hit No. 1.
“I remember ‘Don’t Ya’ got to 25 and then 15, and then all of a sudden
it was like, ‘Maybe we need to start researching skydiving places! Maybe this
could happen,’” he recalled. “Flash forward and I’m looking out the window
at 14,000 feet up. That song took about a year to get to the top, and I’m looking
out the window and this is about to happen! And I’m freaked out about heights.
I never, ever would have done that if I didn’t test myself with a goal — and
it made me live a lot more. I just want to make sure I enjoy it along the way.”

Related Posts

The Emergence Of Owen Smith

By Phillip Doring for Country Music News International Magazine

Tamworth Country Music Festival

By Phill Doring for Country Music News International Magazine

Seth Hilary Jackson Strikes a Chord with “One More Song About Peace”

By Ismaila M.S. Naban for Country Music News International Magazine

The Relentless Bluegrass of Marty Falle

By Vickie McIntyre for Country Music News International Magazine

Leave a Reply

Your email address will not be published. Required fields are marked *