OPENS NOVEMBER 14 AT
COUNTRY MUSIC HALL OF FAME® AND MUSEUM
NASHVILLE, Tenn. (November 12, 2014) – The Country Music Hall of Fame® and Museum will explore the career of superstar Tanya Tucker with the exhibition Tanya Tucker: Strong Enough to Bend, opening November 14, 2014, and running through May 2015.
Tucker’s story is told through a collection of artifacts that
illustrate her tough and tender duality and ahead-of-her-time tenure as a
female country crossover star. Gorgeous stage costumes, including
several Nudie’s Rodeo Tailor designs from very early in her career and
gowns worn at award shows contrast with her numerous National Cutting
Horse Association awards and a Harley-Davidson 1992 Screamin’ Eagle—
customized in her special hue of pink paint. A copy of the September 26,
1974 Rolling Stone magazine featuring Tucker as the first
female country artist to appear on the cover underscores her impact, as
do Tucker’s outfit from the 1994 Super Bowl halftime show and a script
from her 1981 appearance on an episode of the massively popular TV
series The Love Boat.
Tanya Tucker’s talent blossomed early, despite being born into
poverty in Texas and raised in ramshackle apartments and trailers in
Arizona, Utah, and Nevada. She began performing on local shows at age
six, and within years was a regular on a Phoenix TV program. A Las
Vegas agent sent a demo recording to Billy Sherrill, who quickly signed
Tucker to Columbia Records. She was thirteen years old.
At the time, few child performers had achieved success in country
music. But the singer’s husky voice and audacious confidence made her
seem more grown-up. She proved as much when she walked into a Nashville
studio, in March 1972, and announced to Sherrill and the veteran
musicians, “Well, I know my part, boys. Do you know yours?” She
proceeded to belt out “Delta Dawn” like a seasoned pro, and by summer
the song was a hit.
Tucker assured her success by releasing six consecutive Top Ten
hits—including the #1s “What’s Your Mama’s Name,” “Blood Red and Goin’
Down,” and “Would You Lay With Me (in a Field of Stone)”—in two years,
all produced by Sherrill. The narrative songs told daring stories that
courted controversy, and Tucker’s mature-beyond-her-years vocal style
brought out the drama and emotion in each.
Two years into her singing career, Tucker appeared on the cover of Rolling Stone
magazine—a rare national media spotlight for a country star in 1974. To
her parents, Beau and Juanita Tucker, such recognition signified that
their teen daughter had crossover potential that could take her beyond
the country audience.
On October 10, 1974—Tucker’s sixteenth birthday—she signed a $1.4
million contract with MCA Records, a deal brokered by her ambitious
father. Her seven years on MCA yielded the #1 hits “Lizzie and the
Rainman.” “San Antonio Stroll,” and “Here’s Some Love.” In 1978, she
recorded the rock-influenced album T.N.T. in Los Angeles.
In California, Tucker began dating singer Glen Campbell, twenty-two
years her senior; their fiery, tabloid-filled relationship ended in
acrimony. After a stint with Arista Records, Tucker signed with Capitol
Records and reunited with producer Jerry Crutchfield, with whom she had
worked at MCA.
Tucker’s 1986 album, Girl Like Me, featured four Top Ten
hits, including the #1 “Just Another Love.” She enjoyed a long run of
success on Capitol (and sister label Liberty), with a string of Top Ten
hits through 1997, including three consecutive #1s, “I Won’t Take Less
Than Your Love,” “If It Don’t Come Easy,” and “Strong Enough to Bend.”
Tanya Tucker heard her name called as the 1991 CMA Female Vocalist of
the Year while lying in a hospital bed, watching the awards show on TV.
Earlier the same day, she had delivered her second child, Beau.
Her first child, daughter Presley, was born in July 1989—a year after
Tucker had checked herself into the Betty Ford Center over issues with
substance abuse. Her third child, Layla, arrived in 1999.
For Tucker, the CMA award came at a time when some radio stations
refused to play her music while criticizing her choice to be a single
mother. The CMA award, the first of her career, proved that the country
music industry at large continued to support her. The national media
cited Tucker’s win, and her eighteen Top Ten hits between 1988 and 1994,
as signs that country music reflected the evolving roles of women in
American society.
Tucker detailed her colorful life story in her1997 autobiography, Nickel Dreams: My Life. The singer also starred in her own reality show, Tuckerville, on cable network TLC. “Every one of us has good and bad times in our lives,” Tucker wrote in Nickel Dreams. “In my case, they have been to extremes.”
Accredited by the American Alliance of Museums, the Country Music Hall of Fame®
and Museum is operated by the Country Music Foundation, a
not-for-profit 501(c)(3) educational organization chartered by the state
of Tennessee in 1964. The museum’s mission is the preservation of the
history of country and related vernacular music rooted in southern
culture. With the same educational mission, the foundation also
operates CMF Records, the museum’s Frist Library and Archive, CMF Press,
Historic RCA Studio B and Hatch Show Print®.
More information about the Country Music Hall of Fame® and Museum is available at countrymusichalloffame.org or by calling (615) 416-2001.