Beyond the Horizon: Remedy Tree Delivers Hard-Driving Bluegrass and Heartfelt Longing on “Beyond What I Can See”
By Christian Lamitschka for Country Music News International Magazine
Artist: Remedy Tree Album: Beyond What I Can See Release Date: September 12, 2025 Label: Mountain Fever Records Genre: Bluegrass, Americana, Folk
Artist Background
Hailing from St. Augustine, Florida, Remedy Tree is a powerhouse of “hard-driving modern bluegrass” centered around the husband-and-wife duo of Gabriel Acevedo (lead vocals, guitar, fiddle) and Abigail Acevedo (harmony vocals, bass). Completed by Nathan Beaumont on banjo and Bryce Griffin on mandolin, the band expertly blends traditional Appalachian old-time music with contemporary songwriting sensibilities. Gabriel, a Florida State Fiddle Champion, drives the band’s energetic sound, while their stated vision—to offer a “remedy for their sorrows”—shines through in their heartfelt and expertly executed material. Produced by Aaron Ramsey, this album marks their debut with Mountain Fever Records, featuring guest fiddle work from the accomplished Jason Carter.
Track-by-Track Review
Beyond What I Can See is a masterclass in modern acoustic roots music, balancing fierce instrumental prowess with lyrical depth focused on hope, doubt, and the pursuit of dreams.
1. Beyond What I Can See (feat. Jason Carter) The title track is the album’s mission statement, immediately setting the tone with bright, ringing instrumentation. Lyrically, Gabriel Acevedo explores the complex emotions of chasing a persistent dream—the mix of longing, anxiety, and self-doubt that comes with peering into the unknown. The track is built on a high-energy pulse, elevated significantly by Jason Carter’s fiery guest fiddle performance, which perfectly embodies the restless energy of the chase.
2. Adaline Following the title track, “Adaline” keeps the traditional bluegrass momentum high. It’s an instrumental highlight, showcasing the band’s cohesion. The interwoven mandolin and banjo runs establish a classic, celebratory sound, affirming the band’s firm footing in the genre while demonstrating impeccable technical skill.
3. Let Her Know (feat. Jason Carter) An intensely rhythmic track that demands movement. This tune features some of the most exciting, kinetic playing on the album. Carter’s fiddle truly shines here, cutting through the acoustic guitar and mandolin layers with enthusiasm. It’s an infectious, motivational number that proves Remedy Tree can compel any listener to rise and dance.
4. Every Second We’re Apart (feat. Jason Carter) What began as a folk piece has evolved into a compelling, groove-driven bluegrass anthem. The track expertly captures the “ache of separation and the yearning for reunion.” It’s rollicking, fun, and serves as a powerful testament to the band’s ability to take a core emotional theme and build a complex, driving arrangement around it, again aided by Carter’s dynamic fiddle.
5. Winter and Spring (feat. Jason Carter) This track offers a gentle, beautiful contrast. It is a standout moment where Abigail Acevedo steps forward for a lead vocal that is light and evocative. Her voice, described as painting a “watercolor picture,” contrasts beautifully with Gabriel’s, offering a moment of quiet reflection and complexity that perfectly captures the changing nature of seasons and relationships.
6. Cedar Mountain A quintessential, wonderfully arranged standard piece. It is defined by the cheerful, “jingly” banjo notes from Nathan Beaumont and robust acoustic guitar work. The track runs “barefoot through your ears,” making it instantly catchy and showcasing the effortless, natural flow of their playing.
7. Troubadour Similar to “Winter and Spring,” this song showcases the softer side of the band, featuring Abigail’s clear, expressive vocals. It serves as a narrative piece, channeling the spirit of a wandering musician and allowing the lyrical storytelling to take precedence over the high-speed instrumental runs.
8. These People Getting Crazy (feat. Jason Carter) This track is a shot of high-tempo energy late in the album. While light on specific lyrical details, the presence of Jason Carter’s fiddle suggests it’s a full-throttle instrumental showcase or a fast-paced traditional song, designed to keep the energy bristling with rhythm.
9. Say Darlin Say (feat. Victor Furtado) Featuring special guest Victor Furtado on clawhammer banjo, this track leans heavily into the old-time roots of the band. The distinctive, rhythmic sound of the clawhammer technique provides a unique texture, pulling the listener back toward the Appalachian traditions that inform the band’s modern sound.
10. My Dear Creation The album closer brings the journey to a satisfying conclusion. Listed as a highlight, it ties together the themes of creation, love, and faith that often underpin the Americana genre. It’s a gratifying finish that leaves the listener with a feeling of peace and resolution.
Summary
Beyond What I Can See is a triumph for Remedy Tree. It is a finely tuned, accomplished work that manages to appeal to traditional bluegrass purists while incorporating enough contemporary finesse to draw in newer, younger audiences. The Acevedos, alongside their bandmates, have created a therapeutic tonic of music—a lively, thoughtful, and expertly played journey through the spectrum of human emotion, proving they are one of the most exciting acts currently rising in the Americana space.