Fading the Lines: John Glenn Celebrates 50 Years On The Road with ‘Making Country Great Again’
By Christian Lamitschka for Country Music News International Magazine
In an industry often obsessed with the next big thing, Irish country legend John Glenn steps back into the spotlight to celebrate an astonishing half-century in music with his brand new album, Making Country Great Again. This record is not merely a collection of songs; it’s a heartfelt tribute to the enduring essence of classic country, Irish folk influences, and the deep connection Glenn has forged with his audience over five decades.
A true veteran of the dancehall and the airwaves—from his early days with The Mainliners (where he earned the stage name John Glenn, derived from his hometown of Crossmaglen) to touring the UK, USA, and Canada with his own band, The Wranglers—Glenn’s voice is a touchstone of authentic, storytelling country. He dedicates this album to the family, band members, songwriters, and, most importantly, the listeners who have supported his “50 years On The Road.” Produced and recorded with outstanding clarity by Brian Kerrigan at Harmony Recording Studios, the album’s sound is rich, warm, and perfectly tailored for the traditional country ear.
Making Country Great Again leans heavily on covering gems from celebrated writers, offering a masterclass in interpretation that highlights Glenn’s seasoned vocal delivery.
Track-by-Track Review
1. Sunnyside of the Mountain (Harry C McAuliff & Bobby Gregory • 2:45) A staple in the country-folk canon, Glenn opens the album with an upbeat, banjo-driven energy. The track serves as a statement of intent: this album is about optimism and tradition. The delivery is spirited, immediately placing the listener in a bright, vintage country setting, recalling the style of his 1970s hit with The Mainliners.
2. Stay Out of My Arms (Jim Lauderdale • 2:31) Moving into a faster tempo, this cover of a Jim Lauderdale tune showcases Glenn’s ability to handle the quick, rhythmic phrasing characteristic of true honky-tonk. It’s short, sharp, and perfect for the dance floor, balancing playful energy with genuine country heartbreak.
3. Why Is the Old Road Calling Me (PJ Murrihy • 2:58) A track that speaks directly to Glenn’s long career and the theme of the album. Written by Irish songwriter PJ Murrihy, this song captures the pervasive pull of home and the road. Glenn’s rendition is wistful and sentimental, backed by arrangements that evoke the classic Irish-tinged country sound he has mastered.
4. Never Mind (Harlan Howard • 2:57) Tackling a song by the legendary Harlan Howard is a mark of respect for the genre. This track is delivered with the understated resignation typical of classic country ballads. It’s simple, emotionally resonant, and perfectly highlights the depth and control in Glenn’s voice.
5. A Place Back Home in Ireland (Stephen Hamilton • 3:06) A definite nod to his roots, this song is a core piece of the “Irish Country” genre. The instrumentation likely swells with fiddle and a gentle waltz rhythm. It’s a nostalgic, heartfelt piece about longing and belonging, designed to resonate with the vast Irish diaspora and fans of sentimental music.
6. Jimmy Was a Drinking Kind of Man (Johnny Rodriguez • 2:49) Originally a hit for Johnny Rodriguez, this track is a gritty, story-driven ballad. Glenn approaches it with a sympathetic narrative touch, giving life to the character study of Jimmy. It’s a prime example of the kind of honest, mid-tempo storytelling that defines classic country music.
7. No One to Carry the Can (PJ Murrihy • 2:55) Glenn returns to the work of PJ Murrihy for this track, which carries a perhaps slightly darker, more reflective tone than the previous Murrihy composition. It’s a song about responsibility, burden, and isolation, showcasing the traditional country music theme of quiet suffering and resilience.
8. Forgetting Bout You (Allen Reynolds & Don Williams • 2:49) A fantastic choice for Glenn, covering a classic co-written by the “Gentle Giant” of country, Don Williams. This track is smooth, warm, and features the sophisticated arrangement style that was the hallmark of the late 70s/early 80s country sound. Glenn’s vocal timbre is perfectly suited for this easy-going, yet profoundly sad, ballad of moving on.
9. Hank Williams Selection (Hank Williams • 3:53) This is a defining moment on the album, a medley dedicated to the undisputed king of country music. Spanning nearly four minutes, this selection is likely a rousing, up-tempo tribute that allows Glenn to demonstrate his reverence for the foundational songs of the genre while maintaining his own signature voice.
10. He’s a Jolly Good Fellow (Billy Sherrill & Glenn Sutton • 2:20) This track, penned by legendary Nashville writers Billy Sherrill and Glenn Sutton, adds a moment of lighthearted, possibly self-deprecating fun. It’s short, punchy, and provides a delightful contrast to the deeper ballads, embodying the “jolly” spirit mentioned in the title.
11. Blueside of Lonesome (Leon Payne • 3:44) Leon Payne’s writing often carried a powerful sense of melancholy, and this track brings a deep, tear-in-your-beer element to the collection. The long run-time allows the song to breathe, giving Glenn space to deliver a powerful, blues-infused vocal that captures the ache of true loneliness.
12. The Hills of Donegal (Trad • 2:54) A traditional Irish folk standard, this inclusion seamlessly bridges the gap between classic Nashville country and the ‘Irish Country’ sound. It is a beautiful, evocative ode to one of Ireland’s most scenic regions, likely featuring prominent fiddle and acoustic guitar work.
13. If We Never Meet Again This Side of Heaven (Albert Brumley • 3:01) A powerful gospel-infused track from Albert Brumley, known for writing “I’ll Fly Away.” This closing ballad brings a moment of spiritual reflection and gratitude. It’s a deeply moving performance that serves as a fitting thank you and farewell, echoing the sentiments of his opening statement.
14. Forever Ain’t Long Enough (David Bellamy • 3:29) Ending the album with a modern classic from the Bellamy Brothers is a smart move. It’s a polished, romantic track that ensures the listener leaves with a sense of hopeful warmth. Glenn’s delivery is tender, providing a memorable and satisfying conclusion to the 14-song journey.
Conclusion
John Glenn’s “MAKING COUNTRY GREAT AGAIN” is more than a title; it is a mission statement. It’s a celebration of a durable career and a testament to the timeless appeal of well-written, well-performed country music, regardless of which side of the Atlantic it originates from. Glenn, alongside producer Brian Kerrigan, has curated and executed an album that honors his roots, his craft, and the listeners who have kept him “On The Road” for five decades. It’s a vital listen for anyone who appreciates the history, the heartbreak, and the joy of genuine country storytelling.