Hometown Harmony: Dylan Scott’s “This Town’s Been Too Good To Us” Strikes Gold as He Prepares for Biggest Tour Yet
By Christian Lamitschka for Country Music News International Magazine
The air crackled with a certain kind of energy, the kind that precedes something big, something undeniable. For Dylan Scott, that feeling wasn’t just a whisper in the wind; it was a full-blown symphony of success echoing through the country music landscape. Just as the final touches were being put on his tour bus, ready to carry him to the grandest stages of his career, a different kind of journey reached its peak. His latest single, a heartfelt ode titled “This Town’s Been Too Good To Us,” ascended to the coveted No. 1 spot on both the Billboard and Mediabase Country charts. This wasn’t just another number one; it was his sixth, a testament to his staying power, and remarkably, his second chart-topper in the still-fresh year of 2025.
The song itself, a collaborative effort penned with the masterful strokes of John Byron, Ashley Gorley, Taylor Phillips, and Ryan Vojtesak, felt like a warm embrace from the past. It was the first glimpse into Scott’s upcoming album, “Easy Does It,” a collection of stories set to arrive at the end of May. For Dylan, this particular No. 1 resonated deeply. It wasn’t just a catchy tune climbing the charts; it was a tribute, a sonic postcard to the very place that molded him – his hometown. “This No. 1 is special to me!” he exclaimed, his voice likely filled with a genuine warmth. “A song about where I grew up and the people I grew up with. To be able to have two songs hit No. 1 in 2025 is crazy!” His gratitude poured out, acknowledging the tireless efforts of his team at Curb Records and the unwavering support of radio stations across the nation.
MusicRow perfectly captured the essence of the song, describing it as brimming with “nostalgia and reflection for a well-spent youth.” Listening to it, you could almost picture dusty backroads, Friday night lights, and the comforting familiarity of a place where everyone knows your name. This sentiment of small-town roots weaves its way throughout the eleven tracks of “Easy Does It,” a tapestry woven with threads of heartache, the steadfastness of true love, and the unbreakable bonds of family.
Before the official unveiling of the full album, Dylan offered a tantalizing peek behind the curtain with the release of “I Hate Whiskey” just a few weeks prior. This followed a string of previously released tracks, including the reflective “I Owe You One,” the playfully confident “You’d Think I Was A Cowboy,” and the deeply resonant “What He’ll Never Have,” a song that had already captured hearts worldwide, amassing over 285 million streams.
The success of “This Town’s Been Too Good To Us” marked a significant milestone, not just as his sixth No. 1, but as his second in a mere two months. His collaboration with Dylan Marlowe on “Boys Back Home” had already claimed the top spot, solidifying his position as a dominant force on country radio. In fact, as the year unfolded, Dylan Scott stood tall as the fourth most-played artist at Country radio, sharing the esteemed company of giants like Morgan Wallen, Post Malone, and Jelly Roll. These recent triumphs joined his impressive catalog of chart-topping hits, including fan favorites like “My Girl,” “Nobody,” “New Truck,” and “Can’t Have Mine.”
But Dylan Scott isn’t just a voice on the radio; he’s a presence on the stage. As the calendar turned to April, the anticipation for his headlining Country Till I Die Tour reached fever pitch. This tour wasn’t just another string of dates; it was a leap onto bigger stages, into larger venues, a testament to his ever-growing fanbase. Kicking off in the vibrant city of Boston, the tour was set to traverse the country, hitting seventeen cities from coast to coast, including iconic stops in New York City and even venturing north for a couple of shows in Ontario. Adding to the excitement, he’d be joined by a talented lineup of special guests – George Birge, Dasha, and Graham Barham – on select dates.
Looking further down the road, Dylan also announced a highly anticipated headlining show in Nashville at The Pinnacle, a brand-new venue, slated for late September. He’d be sharing the stage once again with the rising talents of George Birge and Mackenzie Carpenter, promising an unforgettable night of country music.
The previous year had already seen Dylan solidify his reputation as a captivating live performer. He had the opportunity to share the stage with Cole Swindell on his Win The Night Tour, warming up crowds and winning over new fans. Following that successful run, his own headlining I Owe You One Tour witnessed an overwhelming demand, with enthusiastic fans filling venues to capacity night after night.
For those eager to witness the magic live and experience the songs that have climbed the charts, ticket information and further details could be found on his website. And as fans eagerly awaited the arrival of “Easy Does It,” the track listing offered a tantalizing glimpse into the stories and sounds that awaited: from the reflective “What He’ll Never Have” to the introspective “I Hate Whiskey” and the confident title track “Easy Does It,” alongside his latest No. 1 triumph, “This Town’s Been Too Good To Us,” and a collection of songs exploring the nuances of love, life, and the enduring spirit of country. The tour dates themselves painted a picture of a musician hitting his stride, connecting with audiences far and wide, sharing the soundtrack of their lives.
Dylan Scott wasn’t just riding a wave of success; he was creating it. With a powerful voice that carried the weight of tradition, a songwriting spirit that resonated with authenticity, and a genuine connection with his fans, he was proving to be more than just a fleeting star. He was etching his name into the heart of country music, one No. 1 hit and one unforgettable performance at a time.
Photo credit: Eric Ryan Anderson