“DARK CORNERS: THE APPALACHIAN BALLAD”

“Go and do the best you can”—Oil on canvas 60×72
Inspired
by traditional folk song “Little Maggie,” which is part of a family of
white blues songs found in the Appalachian region in the late 1800s.
“Little Maggie” has been recorded by artists including the Stanley
Brothers, The Kingston Trio, Doc Watson, Bill Monroe and Ricky Skaggs.
 

“DARK CORNERS: THE APPALACHIAN BALLAD”

 
PAINTINGS OF THE SOUTH  BY JULYAN DAVIS
 
 
AT GREENVILLE COUNTY MUSEUM OF ART, SC.
STUNNING EXHIBIT RUNS MAY 5 THROUGH JULY 1

EXHIBIT TO CONTINUE TO MORRIS MUSEUM IN AUGUSTA, GA
 
 
 

FOR IMMEDIATE RELEASE
May 3, 2012

 
GREENVILLE,
South Carolina –British artist Julyan Davis has painted the South for
more than twenty years—empty rooms in abandoned mansions, state fairs,
vanishing scenes from the Outer Banks to the Delta. Now, the Greenville
County Museum of Art showcases his exciting new focus on Appalachian
love songs and murder ballads.

“Has
love ever made you want to throw yourself off a bridge, or throw
someone else off a bridge?” Davis asks. “These paintings interpret some
of the South’s oldest songs, placing them in modern day settings to
remind us that nothing really changes. Lovers still fall prey to despair
and suicide, or end up in the crime report.”

Such
music drew Davis to the South directly from art school in London. He’s
brought its colorful culture and history alive on canvas ever since.

“Sometimes
it takes an outsider to draw attention to the strangeness of the
everyday,” Davis says, “The British director Ridley Scott made telephone
poles beautiful in ‘Thelma and Louise.’  That’s what I seek in my work:
to find the sublime hidden in the familiar, the revelatory moment that
comes at us without warning.

“As
for the ballad series, well, this music is close to my heart.  I
inherited an enthusiasm for it from my father.  With their Celtic
origins, these songs have provided my connection to the Southern
landscape since my arrival here half my life ago.”

 

“Where the Sun refuse to shine”—Oil on Canvas 40×64
Inspired
by “Dark Hollow,” a song written around 1958 by West Virginian Bill
Browning, front man of the rockabilly band Echo Valley Boys.  The song
was made famous by the Grateful Dead in 1973.
 
 
 
 
Followers
of Davis’ career describe his paintings as being haunted by a human
presence—empty places that somehow told a story. With “Dark Corners” the
power of his imagery, and the mystery of narrative are amplified in
these large, cinematic canvases.
“I
paint my life,” Davis says, “Whether we write songs or paint pictures,
as artists we have a great gift – an outlet for our emotions. I am
grateful for that.”

Julyan
Davis received his art training at the Byam Shaw School of Art in
London. In 1988, having completed his B.A. in painting and printmaking,
he traveled to the South on a painting trip that was also inspired by an
interest in the history of Demopolis, Alabama and its settling by
Bonapartist exiles. His work has been exhibited from London to Los
Angeles, and in many private, public and corporate collections including
the Greenville County Museum of Art, the Gibbes Museum in Charleston
and the Morris Museum of Art in Augusta, Georgia. “Dark Corners:The
Appalachian Ballad,” along with other work, can be viewed at julyandavis.com.

“By her lily white hand” — on canvas 36×38
Inspired
by 19th century murder ballad “Banks of Ohio.” The first recording of
the song was by Red Patterson’s Piedmont Log Rollers in 1927. It has
been recorded many times since then by artists including The Carter
Family, Pete Seeger, Johnny Cash, Porter Wagoner, Doc Watson, Joan Baez
and Olivia Newton-John.

“She looked East, She looked West”— Oil on canvas 36×38
Inspired
by traditional folk song, “The Ballad of Barbara Allen.” The song was
first printed in England around 1750 and made its way to Appalachia in
the mid-1800s. “Barbara Allen,” as it is also known, has been recorded
by many artists including Pete Seeger, Bob Dylan, Simon & Garfunkle,
The Grateful Dead, Dolly Parton and The Everly Brothers.  Johnny Cash
re-wrote lyrics to the song, performed it live at Austin City Limits in
1987 and renamed it “The Ballad of Barbara.”

“Would you take me unkind?”—Center panel triptych Oil on canvas 40×108
Inspired
by murder ballad “Pretty Polly,” also known as “The Gosport Tragedy” or
“The Cruel Ship’s Carpenter.” The ballad is a traditional English folk
song found in the British Isles, Canada and the Appalachian region of
the American South. Recorded by artists including David “Stringbean”
Akeman, The Byrds, Judy Collins, Ralph Stanley, Dock Boggs, and Yonder
Mountain String Band.

Julyan Davis landscape titled “Cotton Field, Alabama.” Oil on canvas 36×48

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